Description
Distinguished by long, sloping gables, horizontal lines, and a continuous shingle covering on the exterior, the Shingle Style's essential objective was the creation of expanding, flowing space.
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The Shingle Style embodied intellectual pluralism and cultural democracy—ideals fundamental to American belief and developed quickly and richly. After a period of reaction against the Shingle Style, it was revitalized, finding its first fully renewed expression in 1959 in a design for a beach house by Robert Venturi. Vincent Scully details this reemergence, revealing the complex and crucial role of influence in the shaping of this movement.
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