Garner Quinn writes true crime - and very successfully. Her story of the moment involves a madman known as the Holy Ghost, a deranged serial killer who disfigures his victims. When Susan Trevett lives to tell about her encounter with the Holy Ghost, she picks a young farmboy out of a police lineup. But then Susan does a dramatic turnaround: she insists that the boy is innocent, and that she disfigured herself to repent for past sins. The jury delivers a not guilty verdict, and Garner is left with an ending to her book she fears might not tell the whole story.To compensate, Garner plunges headlong into another case. A media firestorm has erupted around celebrated sculptor Dane Blackmoor. Body parts have been found in his lifelike sculptures, and Garner, who has tangled with the enigmatic artist in the past, thinks she knows the villain's identity. As she becomes increasingly involved in the Blackmoor story, she realizes she's being stalked by a cold-blooded killer who knows her like a book. Garner suddenly understands that there's a small space between the words true and crime: make one mistake in judgment, and it may come back to haunt you - with a vengeance. Read Less